pyropes are amazing and i can stop.
At this rate, the third Hobbit movie is literally going to be two and a half hours of Legolas preforming interpretive dance with his bow, and thirty minutes of actual story.
I LOVE THIS SO MUCH
When parents barge into your room while you’re sleeping and and scream at you for something you didn’t do.
凸 (ಥ 益ಥ) 凸
This time I won’t delete it, I swear…. anyway I keep drawing this dork while at class (and some times at work) but I can’t help it! I adore reasonpeason's take on humanstuck! Psiioniic!
I’ll probably post more later…
Ohohoho~ this blog has needed some Psiioniic this month after all. :y
someone just left the dorm complex and she was wearing a shirt that said “I’m a thespian. my parents think it’s a stage.” and I swear I laughed for three minutes without stopping to breathe
ive been resizing this for 3 hours im never doing gifs again
Someone take photoshop away from me
IT’S CONTAGIOUS RUN FOR YOUR LIVES
Goodbye kids I am too far gone. Go on without me.
do you ever just kinda of
There’s a light in all of us
It’s cartoon network time! :D
Ben 10 - Generator Rex - Dexter!
1. First impression:
2. Truth is:
3. How old do you look:
4. Have you ever made me laugh:
5. Have you ever made me mad:
6. Best feature:
7. Have I ever had a crush on you:
8. You’re my:
9. Name in my phone:
10. Should you post this too?
if you haven’t heard about melanie martinez you should get into her like NOW. she used to be a contestant on the voice but she’s doing her own thing independently and her new song dollhouse is just PERFECTION
GET INTO IT. BUY IT ON ITUNES. SUPPORT YO FEMALE VOCALISTS
I havent really seen a music video that’s impacted me this much in a while- oh my goodness she is SOOO talented. This song was literally brilliant and the video was great too. I love her style!
THE VIDEO OMG
I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>
I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.
Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.
The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.
A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.
Best used for smooth blending, washes, gradients, and smoky atmospheric effects.
Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.
To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!
Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!
Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.
Hope that helps!